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    <loc>https://www.everytimemagazine.com/articles/92n84i4z49j791y5vz5nykxndhzpvt-BG6og</loc>
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      <image:title>Articles - Brooklyn Girl, Dior World - A Girl Named Foxy</image:title>
      <image:caption>Before there was Dior, there was Brooklyn. Born Inga Marchand to Trinidadian parents and raised in Brooklyn, Foxy came of age in a city where getting dressed was part of the culture. The ’90s had their own visual language—oversized gold jewelry, tiny sunglasses, fitted silhouettes, fresh sneakers, and designer pieces mixed without much regard for the rules. Streetwear and luxury weren't opposites; they existed side by side. Foxy understood that instinctively. When she stepped into hip-hop, she brought a femininity that felt distinctly her own. She wasn't interested in toning herself down to fit into the culture. She leaned into glamour, wearing fitted clothes, statement jewelry, and accessories with the same confidence she brought to her music. Nothing felt accidental. The clothes were part of the character. That became central to Foxy's image. She didn't separate the rapper from the woman behind the music. Beauty, fashion, attitude, and music all belonged to the same world, creating a look that felt unmistakably New York. At a time when the relationship between hip-hop and luxury fashion was still taking shape, Foxy was already moving comfortably between the two. She made designer fashion feel natural within hip-hop rather than something that existed outside of it, establishing a visual identity that would become just as memorable as the music itself.</image:caption>
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      <image:title>Articles - Brooklyn Girl, Dior World - The Making of a Dior Girl</image:title>
      <image:caption>That world eventually brought her to John Galliano. At the time, Galliano's Dior was theatrical, glamorous, provocative, and impossible to ignore. His friendship with Foxy brought together two very different perspectives on fashion: the spectacle of Parisian couture and the instinctive style of Brooklyn. On paper, the pairing may have seemed unexpected. In practice, it made perfect sense. Galliano understood the power of spectacle, while Foxy understood the power of presence, and each brought something distinct to the relationship. Dior gave Foxy another vocabulary for the glamour she had already made her own. Corseted silhouettes, dramatic proportions, logo-heavy accessories, and the excess of Galliano-era Dior took on a different energy when worn by her. She didn't simply wear the house; she folded it into her existing style. Pieces associated with the runways of Paris felt completely at home alongside the jewelry, beauty, and attitude that defined her image. Dior didn't transform Foxy into a fashion girl. She already was one. Instead, it gave her a bigger stage on which to show the world what she had been doing all along.</image:caption>
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      <image:title>Articles - Brooklyn Girl, Dior World - Different Kind of Muse</image:title>
      <image:caption>Foxy's influence ultimately extended far beyond her relationship with Dior. She represented a moment when the boundaries between hip-hop and high fashion were beginning to disappear, with artists using clothing to create identities that reached beyond their music and luxury houses beginning to recognize the cultural influence of hip-hop. Foxy was part of that shift early, moving between rap and fashion without treating them as separate worlds. She helped establish a different image of the female rapper—one that could be glamorous without losing its edge, feminine without being defined by it, and deeply connected to street culture while embracing designer fashion. Her style showed that luxury could exist within hip-hop without taking away from its identity. It could become part of the language. Looking back, Foxy's Dior era captures a moment when Brooklyn and Paris began to feel much closer together. Her story wasn't simply about a rapper wearing Dior. It was about what happened when a woman with an unmistakable sense of self entered a fashion world that was beginning to look toward hip-hop for its next source of inspiration. Foxy didn't simply become a Dior girl. She brought Dior into her own visual language—and helped redefine what a fashion girl in hip-hop could look like.</image:caption>
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    <lastmod>2026-10-02</lastmod>
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      <image:title>Articles - Martine Rose Changed the Rules - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Articles - Martine Rose Changed the Rules - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Articles - Martine Rose Changed the Rules - The New Proportion</image:title>
      <image:caption>Proportion is one of the designer’s most powerful tools. Rose stretches, enlarges, narrows, and reshapes the silhouette, often taking a conventional garment and pushing it just far enough to become something else. Oversized jackets, elongated trousers, broad shoulders, and deliberately unusual shapes give the collections their distinctive rhythm. There is nothing precious about the approach. These are clothes meant to move through the real world, even when their proportions challenge what we expect to see. From the Street to the Runway The cultural energy behind the clothes is just as important as the clothes themselves. Rose draws from music, football, nightlife, youth culture, and the visual language of London, creating collections that feel connected to the world outside fashion. Sportswear can sit beside tailoring; utilitarian pieces can share the frame with more polished ones. The references are recognizable without ever feeling literal, giving the collections a quality that feels both deeply personal and distinctly contemporary.</image:caption>
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      <image:title>Articles - Martine Rose Changed the Rules - The Rose Signature</image:title>
      <image:caption>What has emerged is a fashion vocabulary that is difficult to mistake for anyone else’s. Collaborations with Nike and ASICS have extended that vocabulary into footwear and sportswear, while the main collections continue to challenge familiar ideas about shape, gender, and everyday dressing. Martine Rose makes clothes that carry a point of view before they are even worn. They have presence, personality, and just enough unpredictability to make the wearer—and everyone around them—look twice. Perhaps that is the lasting appeal of Rose’s clothes: they never seem to ask for permission. A coat is cut a little broader, a trouser falls a little longer, a familiar sneaker suddenly feels new. Small disruptions become the signature. There is wit in the exaggeration, but also an unmistakable understanding of what makes a piece desirable. In the Martine Rose world, getting dressed is less about following a formula than finding the right tension—and letting the clothes do the talking.</image:caption>
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